Thursday, February 10, 2011

‘Too Asian’?

Blog Archive The enrollment controversy*

macleans.ca | Nov 10th 2010


When Alexandra and her friend Rachel, both graduates of Toronto’s Havergal College, an all-girls private school, were deciding which university to go to, they didn’t even bother considering the University of Toronto. “The only people from our school who went to U of T were Asian,” explains Alexandra, a second-year student who looks like a girl from an Aritzia billboard. “All the white kids,” she says, “go to Queen’s, Western and McGill.”

Alexandra eventually chose the University of Western Ontario. Her younger brother, now a high school senior deciding where he’d like to go, will head “either east, west or to McGill”—unusual academic options, but in keeping with what he wants from his university experience. “East would suit him because it’s chill, out west he could be a ski bum,” says Alexandra, who explains her little brother wants to study hard, but is also looking for a good time—which rules out U of T, a school with an academic reputation that can be a bit of a killjoy.

Or, as Alexandra puts it—she asked that her real name not be used in this article, and broached the topic of race at universities hesitantly—a “reputation of being Asian.”

Discussing the role that race plays in the self-selecting communities that more and more characterize university campuses makes many people uncomfortable. Still, an “Asian” school has come to mean one that is so academically focused that some students feel they can no longer compete or have fun. Indeed, Rachel, Alexandra and her brother belong to a growing cohort of student that’s eschewing some big-name schools over perceptions that they’re “too Asian.” It’s a term being used in some U.S. academic circles to describe a phenomenon that’s become such a cause for concern to university admissions officers and high school guidance counsellors that several elite universities to the south have faced scandals in recent years over limiting Asian applicants and keeping the numbers of white students artificially high.

Although university administrators here are loath to discuss the issue, students talk about it all the time. “Too Asian” is not about racism, say students like Alexandra: many white students simply believe that competing with Asians—both Asian Canadians and international students—requires a sacrifice of time and freedom they’re not willing to make. They complain that they can’t compete for spots in the best schools and can’t party as much as they’d like (too bad for them, most will say). Asian kids, meanwhile, say they are resented for taking the spots of white kids. “At graduation a Canadian—i.e. ‘white’—mother told me that I’m the reason her son didn’t get a space in university and that all the immigrants in the country are taking up university spots,” says Frankie Mao, a 22-year-old arts student at the University of British Columbia. “I knew it was wrong, being generalized in this category,” says Mao, “but f–k, I worked hard for it.”

That Asian students work harder is a fact born out by hard data. They tend to be strivers, high achievers and single-minded in their approach to university. Stephen Hsu, a physics prof at the University of Oregon who has written about the often subtle forms of discrimination faced by Asian-American university applicants, describes them as doing “disproportionately well—they tend to have high SAT scores, good grades in high school, and a lot of them really want to go to top universities.” In Canada, say Canadian high school guidance counsellors, that means the top-tier post-secondary institutions with international profiles specializing in math, science and business: U of T, UBC and the University of Waterloo. White students, by contrast, are more likely to choose universities and build their school lives around social interaction, athletics and self-actualization—and, yes, alcohol. When the two styles collide, the result is separation rather than integration.

The dilemma is this: Canadian institutions operate as pure meritocracies when it comes to admissions, and admirably so. Privately, however, many in the education community worry that universities risk becoming too skewed one way, changing campus life—a debate that’s been more or less out in the open in the U.S. for years but remains muted here. And that puts Canadian universities in a quandary. If they openly address the issue of race they expose themselves to criticisms that they are profiling and committing an injustice. If they don’t, Canada’s universities, far from the cultural mosaics they’re supposed to be—oases of dialogue, mutual understanding and diversity—risk becoming places of many solitudes, deserts of non-communication. It’s a tough question to have to think about.

Asian-Canadian students are far more likely to talk about and assert their ethnic identities than white students. “I’m Asian,” says 21-year-old Susie Su, a third-year student at UBC’s Sauder School of Business. “I do have traditional Asian parents. I feel the pressure of finding a good job and raising a good family.” That pressure helps shape more than just the way Su handles study and school assignments; it shapes the way she interacts with her colleagues. “If I feel like it’s going to be an event where it’s all white people, I probably wouldn’t want to go,” she says. “There’s a lot of just drinking. It’s not that I don’t like white people. But you tend to hang out with people of the same race.”

Catherine Costigan, a psychology assistant prof at the University of Victoria, says it’s unsurprising that Asian students are segregated from “mainstream” campus life. She cites studies that show Chinese youth are bullied more than their non-Asian peers. As a so-called “model minority,” they are more frequently targeted because of being “too smart” and “teachers’ pets.” To counter peer ostracism and resentment, Costigan says Chinese students reaffirm their ethnicity.

The value of education has been drilled into Asian students by their parents, likely for cultural and socio-economic reasons. “It’s often described that Asians are the new Jews,” says Jon Reider, director of college counselling at San Francisco University High School and a former Stanford University admissions officer. “That in the face of discrimination, what you do is you study. And there’s a long tradition in Chinese culture, for example, going back to Confucius, of social mobility based on merit.”

*This article was originally titled “‘Too Asian’?” For our response to the controversy it has generated, click here.

Demographics contribute to the high degree of academic success among Asian-Canadian students. “Our highly selective immigration process means that we get many highly educated parents, so they have similar aspirations for their children,” says Robert Sweet, a retired Lakehead University education prof who has studied the parenting styles of immigrants as they relate to education. Sweet’s latest study, “Post-high school pathways of immigrant youth,” released last month, found that more than 70 per cent of students in the Toronto District School Board who immigrated from East Asia went on to university, compared to 52 per cent of Europeans, the next highest group, and 12 per cent of Caribbean, the lowest. This is in contrast to English-speaking Toronto students born in Canada—of which just 42 per cent confirmed admission to university.

Diane Bondy, a recently retired Ottawa-area guidance counsellor, notes that by the end of her 20-year career, competition among some Asian parents had reached a fever pitch. “Asian parents do their homework and the students are going to U of T or they’re going to Queen’s,” says Bondy, who points out that “Asians get more support from their parents financially and academically.” She also observed that the focus on academics was often to the exclusion of social interaction. “The kids were getting 98 per cent but they didn’t have other skills,” she says. “Their parents would come in and write in the resumé letters that they were in clubs. But the kids weren’t able to do anything in those clubs because they were academically focused.”

Students can carry that narrow scope into university, where they risk alienating their more fun-loving peers. The division is perhaps most extreme at Waterloo, where students have dubbed the MC and DC buildings—the Mathematics & Computer Building and the William G. Davis Computer Research Centre, respectively—“mainland China” and “downtown China,” and where some students told Maclean’s they can go for days without speaking English. Writes one Waterloo mathematics graduate on an online forum: “I once had a tutorial session for the whole class where the TA got frustrated with speaking English and started giving the answer in Mandarin. A lot of the class understood his answer.”

“My dad said if you don’t go into engineering, I won’t pay your tuition,” says Jason Yin, a Taiwanese software engineering student at Waterloo. “They are very traditional. They believe school is about work, studying, go home and studying some more.” Hard-studying Waterloo lends itself particularly to those goals. “We had a problem getting students out of their bedrooms,” says Nikki Best, a former residence don who sits on Waterloo’s student government, who explains they “didn’t want to get behind in their grades because of coming out to social events.”

That’s not to say Asian students form any sort of monolithic presence on Canadian campuses. “The mainland China group tends to stick together,” says Anthony Wong, 19, a Waterloo software engineering student. “We can talk to them,” says Jonathan Ing, also 19 and in Waterloo’s software engineering program, “but we don’t mingle.” Complains Waterloo student Simon Wang, a Chinese national who is frustrated by the segregation at Waterloo: “Why bother to come to Canada and pay five times as much to speak Chinese?” Meanwhile, Calgarian Joyce Chau identifies as “completely whitewashed,” a “banana”: “I look Asian but I’m white in all other respects.” Chau, a 19-year-old UBC business student, lived in residence her first year, where she met the majority of her (white) friends. “It’s harder to integrate into a group with Asians—you may or may not get introduced,” says Chau, who accepts the segregation as just “part of the university experience.”

Such balkanization is reflected in official student organizations: there is little Asian representation on student government, campus newspapers or college radio stations. At UBC, where the student body is roughly 40 per cent Asian, not one Asian sits on the student executive. Same goes for Waterloo. Asian students do, however, participate in organizations beyond the university mainstream, and long-standing cultural clubs function as a sort of ad hoc government. “After you graduate you won’t care about student government, but you’ll care about your club,” says Stan He, president of the Dragon Seed Connection, an on-campus Chinese club with over 300 members. (His business cards feature both dragon and robot motifs.) The Dragon Seed offers its members social functions, tutoring help, volunteer opportunities, poker and mah-jong tournaments, and special holiday parties—including at Halloween and Christmas. It even has an exclusive partnership with Solid Entertainment, a promotions and events-planning company that sponsors massive fundraising events and gives Dragon Seed exclusive selling rights on campus. He says that the dozen or so Asian clubs at UBC serve well over 4,000 students and cater to the whole spectrum of cultural identification—from “whitewashed” to “Honger,” a once-pejorative term now adopted by students with Hong Kong backgrounds. The Dragon Seed lies somewhere in between—“We’re the middle ground,” He says. “We have international students, but we all speak English.”

Or take the Chinese Varsity Club. With upwards of 500 members, it’s the largest student social club at UBC. The executives say they’ve captured a niche market: Chinese commuter students from the outlying Richmond, Burnaby and North Vancouver communities who hope to find a social network at the big school. “Students from high school already hear about us from older brothers and sisters,” says Peter Yang, the 21-year-old accounting student who is the club’s VP external. “You want to break out of the cycle of studying and being lonely,” says Brian Cheung, its president.

The impact of high admissions rates for Asian students has been an issue for years in the U.S., where high school guidance counsellors have come to accept that it’s just more difficult to sell their Asian applicants to elite colleges. In 2006, at its annual meeting, the National Association for College Admission Counseling explored the issue in an expert panel discussion called “Too Asian?” One panellist, Rachel Cederberg—an Asian-American then working as an admissions official at Colorado College—described fellow admissions officers complaining of “yet another Asian student who wants to major in math and science and who plays the violin.” A Boston Globe article early this year asked, “Do colleges redline Asian-Americans?” and concluded there’s likely an “Asian ceiling” at elite U.S. universities. After California passed Proposition 209 in 1996 forbidding affirmative action in the state’s public dealings, Asians soared to 40 per cent of the population at public universities, even though they make up just 13 per cent of state residents. And U.S. studies suggest Ivy League schools have taken the issue of Asian academic prowess so seriously that they’ve operated with secret quotas for decades to maintain their WASP credentials.

In his 2009 book No Longer Separate, Not Yet Equal, Princeton University sociologist Thomas Espenshade surveyed 10 elite U.S. universities and found that Asian applicants needed an extra 140 points on their SAT scores to be on equal footing with white applicants. Scandals over such unfair admissions practices have surfaced in recent years at Stanford, Harvard University, the University of California at Berkeley and elsewhere. Hsu, the Oregon physicist, draws a comparison between Asian-Americans and Jewish students who began arriving at the Ivy League in the first half of the last century. “You can find well-documented internal discussions at places like Harvard and Yale and Princeton about why we shouldn’t admit these people, they’re working so hard and they’re so obviously ambitious, but we want to keep our WASP pedigree here.”

To quell the influx of Jewish students, Ivy League schools abandoned their meritocratic admissions processes in favour of one that focused on the details of an applicant’s private life—questions about race, religion, even about the maiden name of an applicant’s mother. Schools also began looking at such intangibles as character, personality and leadership potential. Canadian universities, apart from highly competitive professional programs and faculties, don’t quiz applicants the same way, and rely entirely on transcripts. Likely that is a good thing. And yet, that meritocratic process results, especially in Canada’s elite university programs, in a concentration of Asian students.

The upshot is that race is defining Canadian university campuses in a way it did not 25 years ago. Diversity has enriched these schools, but it has also put them at risk of being increasingly fractured along ethnic lines. It’s a superficial form of multiculturalism that is expressed in the main through segregated, self-selecting, discrete communities. It would behoove the leadership of our universities to recognize these issues and take them seriously. And yet, that’s exactly what’s not happening. Indeed, discussions with Canada’s top university presidents reveal for the most part that they are in a state of denial.

“This is a non-issue,” wrote U of T president David Naylor in an email. “We’ve never had a student complain about this. In fact, this is a false stereotype, as we know that Asian students are fully engaged in extracurricular activities. So the whole concept is false.”

As Cheryl Misak, the U of T’s VP and provost, puts it: “We have a properly diverse mix, with no particular group extra prominent—we’re the rainbow nation and we’ve got every sort of student and everyone is on merit.” Waterloo president Feridun Hamdullahpur echoes a similar sentiment. “There is a great tendency in our society to learn more about other nations and other cultures,” he says. “Universities are the hotbed of these kind of activities. If you want to see more economic and political diversity, I think they star.”

These positions arguably represent a missed opportunity. Universities have the potential of establishing real cultural change. It makes sense that the head of the Canadian university with perhaps the highest number of Asian students is the most candid and the most concerned. Indeed, Stephen Toope has, since his arrival in 2006 as UBC president, made the issue central to his agenda—including outreach and newspaper op-ed pieces touting the importance of making the university campus a meeting place not only of diversity but also of dialogue.

Among Canadian universities, UBC is one of the few institutions that publishes the ethnic makeup of its student body. Toope says that the university’s Asian student population is not “widely out of whack with the community,” although the stats tell a slightly different story. According to a 2009 UBC report on direct undergraduate entrants, 43 per cent of its students self-identify as ethnically Chinese, Korean or Japanese, as compared to 38 per cent who self-identify as white. Although Vancouver is a richly diverse city, according to data from the 2006 census, just 21.5 per cent of its residents identify as a Chinese, Korean or Japanese visible minority.

Toope says drawing the various communities present on Canadian campuses into a common medium can be challenging. “Across Canada it isn’t always the case that you’re seeing as much engagement from the new communities as perhaps we should,” he says. Toope uses the experience of Turkish immigrants in Germany as a cautionary tale—“there are groups that never find a way to participate in the broader community.” Such circumstances persist precisely because the issue of race is not attacked head on. “I don’t want to pretend that just because you have people from different backgrounds they’re going to interact—they’re not,” Toope says. “We have to actually create mechanisms, programs and opportunities for people to interact. A university is one of the places that has the greatest capacity to work through demographic change.”

Toope points us in the right direction. It’s unfair to change the meritocratic entry system, so all universities can do—all they should do—is encourage groups to mingle. Though it’s true that universities—U of T and Waterloo included—do have diversity programs and policies for students, newer, fresher ways are needed to help pry the ethnic ghettos open so everyone hangs out together. Or at least they have the chance to. The white kids may not find it’s too Asian after all. Alexandra, who chose to go to Western for the party scene, found she “hated being away from home” and moved back to Toronto. In retrospect, she didn’t like the vibe. “Some people just want to drink 23 hours a day.” Alexandra says she still has friends at Western who live in an “all-blond house” and are “stick thin.” Rachel, Alexandra’s friend, says Western suits them—“they work hard, get good grades, then slap on their clubbing clothes.” But it didn’t suit Alexandra. She now studies at U of T.

Original Page: http://www2.macleans.ca/2010/11/10/too-asian/print/

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How to Use Gmail as Your Central, Universal Communications Hub [How To]

How to Use Gmail as Your Central, Universal Communications Hub

by Whitson Gordon, lifehacker.com
December 15th 2010 9:00 AM

All your communication is split between multiple services and inboxes—between your phone and your computer. Here's how to turn Gmail into the central hub of all your SMS messages, phone calls, instant messages, voicemail, and more.

Not only are our communications spread over multiple inboxes, but a lot of times, it's hard to refer back to those inboxes later. You have to know where you received a message, then go searching in the right place. What's more, the longer you let SMS messages build up, the slower your phone becomes; the more voicemails you leave in your inbox, the more difficult it becomes to sift through them from your phone. Luckily, just like you archive old emails in Gmail, you can archive your text messages, voicemail, and other communications in Gmail, so every communication you have is stored in one central location for easy access later.

This method relies heavily on Gmail and Google Voice (which is thankfully available for iOS now), so if you don't have an account already, go ahead and set one up. We'll mainly be using Voice to forward SMS messages and voicemails to Gmail. Coupled with a few other hidden Gmail features, we'll set up Gmail as a universal communication hub from which you can send, receive, and organize all your email, text messages, and voicemail, and set it up so you can view them all on one page. By the end of this guide, you'll have set up your Gmail inbox to look something like this (click to enlarge):

...creating an all-inclusive inbox for all your communication.

Setting Up the Services

First, we'll have to set up Gmail and Google Voice to send all of our messages to our Gmail inbox, and set them up with labels so we can organize them. You'll want a Google Voice account with your own number from which you send and receive calls to get the most out of this, so if you haven't done so yet, you'll want to set that up now. Then tweak the following settings to get everything forwarded to Gmail.

SMS Messages

SMS Messages are one of the biggest text-based forms of communication that most of us don't carry out regularly on our computer—unlike emails, IMs, Twitter or Facebook messages, and so on. That means they'll take the most work to migrate into your Gmail, depending on the services you use.

If you Use Google Voice

If you use Google Voice for all your SMS messaging, you're in luck, because it's just a matter of checking a few boxes. Just head into the Voicemail & Text section of your Google Voice Settings. Under Text Forwarding, check the box that says "Forward text messages to my email". Now, whenever someone sends an SMS message to your Google Voice number, you'll get it as an email in Gmail.

Alone, this is awesome, since you can reply to text messages right from your email. That means if you're at your computer, you no longer need to resort to typing on your phone's tiny keyboard to send text messages to your friends. Note that you can't initiate messages to new numbers through your email this way, but you could always head to the Google Voice webapp on the rare occasions you may need to do that.

Next, we'll want to automatically apply a label to incoming SMS messages, which we'll use later to create our unified inbox. Just head into Gmail's settings and create a new filter for messages matching From: txt.voice.google.com. You can also have them skip the inbox and get marked as read, if you're still using a more traditional SMS method (like the Google Voice app on your iOS or Android phone).

If you Don't Use Google Voice

If you're on an Android phone and you haven't yet switched over to Google Voice for all your SMS communications, a wonderful app called SMS Backup+ will automatically back up all your SMS messages to Gmail. Just head into the Market, download the (free) app, and open up the settings. We've gone through the nuances of this application before, so I won't get into it here, but it's a nice alternative if you aren't using Voice as your main number yet.

If you use this app, you can't send and receive SMS messages from your email directly like you can with Google Voice. However, you can still send them from Gmail's web interface by enabling a lab called "Text Messaging (SMS) in Chat" that will let you send SMS messages from Chat in Gmail. It sends them from a number your friends won't recognize, though it'll show your email address at the end, and their replies will show up in Chat for you.

Voicemail

We're going to use Google Voice to forward our voicemails to Gmail. Just head to the Voicemail & Text section of your Google Voice Settings and, under Voicemail Notifications, check the box next to "Email the message to" and add your Gmail address to the dropdown. To automatically add a labe, you'll need to create a new filter in Gmail matching From: voice-noreply@google.com and Subject: voicemail. Gmail reserves the "Voicemail" label for a Google Talk feature, so you'll have to use something else (I just use "Voice Mails"). It doesn't matter what it is, because when we create our unified inbox later, we'll have the chance to give the voicemail pane whatever header we want.

Next, head into Gmail Labs and add the "Google Voice Player in Mail" lab in Gmail. Now, you'll be able to listen to voicemails right from the email notification in the Gmail web interface, which will work great with our unified inbox.

Phone Calls

To integrate phone calls with the Gmail web interface, head into Google Voice's settings and check the box labeled Google Chat. Now, when people call your Google Voice number, you can forward those messages to the Gmail web interface just like you would forward it to a cell phone. From the call window, you can also view your recent calls, which is handy. If you want to initiate a call from Gmail, just open up the Chat gadget and hit "Call Phone".

If you'd like to record a call and save it in your Gmail, you can do that with Voice too. If you're at your desk when a call comes in, you can answer it from the Gmail Web Interface and hit the record button to record a call. If you're on your cell phone, just hit "4" on your dialpad on any incoming call (sorry, you can't record outgoing calls), and the recording will show up in your Google Voice inbox.

You can't get these recordings automatically forwarded to Gmail, but since you're in control of what you record, it's pretty easy to remember to email them to yourself. Just navigate to the recording in the Google Voice webapp, hit "more" and then hit "Email". You can email it to yourself and apply a label just like you do voicemails or SMS messages for later reference.

Chats and Instant Messages

Gmail already has a great built-in feature that will log your Google Talk and AIM instant messages for you. Just head into the Chat section of Gmail's Settings and select "Save Chat History". Now, any Google Talk conversations you have (whether through the Gmail web interface or through an external client like Pidgin or Adium) will be saved in the "Chats" section of Gmail. If you're signed into AIM, it will also log those chats for you, as long as you are using the Gmail web interface to chat.

Facebook, Twitter, and Everything Else

Those are all the more complicated setups. Many other services, like Facebook and Twitter, have built-in forwarding tools so you can throw all those into your Gmail too if you want. For example, to forward Facebook Wall Posts, Messages, or anything else to your Gmail, just head to the Notifications tab of Facebook's Account Settings and check the boxes for everything you want archived in your email. If you want direct messages from Twitter forwarded to your email, you can do so from Twitter's settings: just go to the Notices tab and check "Email when I receive a new direct message". You can see the pattern here—anything that allows you to forward messages to your email can also fall into your "one unified inbox" with a few checkboxes (and Gmail filters, as described above).

Setting Up the Unified Inbox

To put it all together, we're going to use Gmail's awesome Multiple Inboxes feature, available in Gmail Labs. After enabling it, you'll still see your main email inbox in the Mail view, but with extra panes that we're going to use to show our SMS messages, voicemail, and chats (and whatever else you'd like).

To configure it, head into Gmail's Settings and click on the new Multiple Inboxes tab to configure it. For the first pane, type label:sms-messages as the search query, "SMS Messages" for the panel title. Of course, replace the label with whatever label you used for SMS messages. Do the same thing for the voicemail pane, and if you'd like a chat pane too, you can use the search query is:chat. I like to put my panels on the right side of the inbox, but you can also put them at the top or bottom of the Mail view—whichever works best for you.

Click on the image for a closer look at the Multiple Inboxes view.

Original Page: http://lifehacker.com/5713726/how-to-use-gmail-as-your-central-universal-communications-hub

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The Film That Won the War

DISNEY SUNDRIES: THE FILM THAT WON THE WAR

antagonie.blogspot.com | Nov 12th 2010

America's entry into World War II, depending on which economist you listened to, finally lifted the country out of the last draggy bits of the Great Depression; yet it was not all good news for everybody*. Walt Disney, was among that small population of folks who'd done just fine for himself during the worst of the Depression, riding the public's appetite for silly, diverting entertainment as successfully as any movie producer of that golden age for escapism, who then found himself in a bit of trouble once the war years started up.

What happened to Disney and his company in the years following the Pearl Harbor attack might be nicely described as "a rough patch" (the less-nice way of describing it would be "a Brobdingnagian clusterfuck"). The summer, 1942 release of Bambi was, if not a flop on the scale of Fantasia, proof enough that war audiences had a new set of tastes that Disney's painterly fables couldn't sate. Just as soon as Dumbo had allowed the studio to crawl back out of the financial hole it had been in, Bambi re-opened the hole, and that, plus the sudden loss of staff due to animators joining the military, plus the closing of the international markets which had been such an important part of Disney's business model previously, meant that the studio was a breath away from extinction.

The solution was found, partially, in government grants: for the bulk of the war years, Disney functioned the the producer of dozens cheap, fast training films, the most limited animations ever made by the company (in recognition of their need to be produced quickly, with a skeleton crew), and aided no doubt by Walt's eager jingoism, the company transformed into a propaganda unit of sorts, both officially (Saludos Amigos, the 1942 package feature, was co-financed by the government as part of President Franklin Roosevelt's "Good Neighbor" policy), and unofficially (the long list of films in which Pluto or Donald or whom you will learned about soldiering, rationing, and the like).

Even so, there's no movie in the Disney vault quite like Victory Through Air Power. Inspired by the 1942 book of that name by Alexander P. de Seversky, the film is sheer propaganda, by which I am only making a categorical statement, not an aesthetic judgment. It is an advocacy piece for a very specific military plan, marshaling any evidence which would support that plan and denigrating or ignoring anything else. It is a movie wholly dedicated to advancing an argument. A damn far cry from watching woodland animals frolic around a princess in the woods, and to the surprise of absolutely nobody - I suspect, not even to the eternally optimistic Walt himself - Victory Through Air Power lost money. It is easily the driest, least-entertaining, and grimmest feature ever made by the Disney animators, and the fact it was released theatrically at all - by United Artists, not Disney's customary distributors at RKO, who felt that the project was a surefire money-loser - is testament to how much weight the name "Walt Disney" yet carried in July, 1943.

Here, then, is the film's claim: Seversky, a decorated hero and great airman, a Russian immigrant with a keen desire that his adopted home should avoid being destroyed by the Nazis. It was his strong believe that the Allied countries were not sufficiently exploiting the possibilities of long-range bombing aircraft, and that if the United States would devote its energies to the creation of a fleet of bombers (which had mostly been designed already), it would enjoy a significant tactical advantage over Japan and Germany, whose strategies up until that point - that is, early 1942 - had exploited the fact that their opponents did not have the ability to seriously mount an air-based attack

Seversky maintained that the surest way for the Allies to win would be a series of strategic long-distance bombing missions against the manufacturing hubs of the Axis countries, and that single belief, which in the end proved to be completely accurate, is the single point at which the movie drives.

Victory Through Air Power is a fairly excellent piece of propaganda, in that it communicates its point so persuasively that even without the benefit of hindsight, Seversky's theories seem inescapably wise. It's structure is quite ingenious, beginning with a silly cartoon typical of Disney's cheap, war-time animation (and this sequence, which has sometimes been shown independently of the feature as "The History of Aviation", was the relic of a different project, which perhaps explains why it is so different from the remainder of the film). This eases the viewer into the film, making it seem like something that might be even marginally fun.


Even once the history takes us to the back half of the 1910s, and World War I, the style remains squashy and loose, much more a popular entertainment than a cinematic depiction of the horrors of war.

This segment goes on for quite a while, until it segues into an introduction to Seversky, with an emphasis on his credentials, and then lets the man himself explain what he believes to be the keys to victory through air power.

The middle section of the film is at times unbearably expository; and how could it not be? It consists of a man droning on in a single room filled with globes and maps about flight radii and supply lines. The live-action sequences feature Seversky were all directed by H.C. Potter, an RKO contract filmmaker of little historical importance, and his task was primarily to find things for Seversky to do that would keep the film at least a tiny bit lively. He succeeded, at the "tiny bit" at least; there's only so much one can really do to keep subject matter this dry from being boring, though there are a few moments in which Seversky's sternly professional delivery and the violent subject matter he discusses contrast with one another such that there's a certain discomfiture produced that might not have been entirely accidental; even today, when a man with a pronounced but not thick Russian accent muses about the destruction of all we hold dear, it's hard not to perk up and take notice.

Still, the film is much more effective during the animation sequences - directed by James Algar, Clyde Geronimi, and Jack Kinney under the general supervision of David Hand (his last work at Disney, after leading Snow White and the Seven Dwarf and Bambi, along with many shorts) - with the slightly less bland narration of Art Baker taking over for Seversky, and the animators finding a number of ways to dramatise tactical discussions in a way that isn't totally visually flat.

I need hardly point out that, for a modern viewer, the value Victory Through Air Power has as propaganda is almost totally academic. Its single point of interest is in the animation, and even then only to a small audience of Disney completists. Rightly so: given that the film's entire artistic purpose is to propagandise, it would be surprising if it did have any particular lasting merit for anything other than its visual artistry. That said, part of me wishes that the film was a bit easier to acquire for more people (its single home video release, in 2004, was in a limited release of 250,000 copies in the Walt Disney Treasures DVD series), since even though it is wildly boring as a documentary, that animation is more than worth a peek; as part of the stripped-down, "get it done cheap and fast" war-time effort, it's absolutely unlike any other feature ever released under the Disney brand name, that or any of its corporate stepchildren. Other than that "History of Aviation" sequence, in fact, it is the Disney Studios' most protracted and arguably their most successful experiment with limited animation, a form that by all accounts Walt himself despised.

(Limited animation - using only a few images per second, or images which are mostly still except for their position in the frame - was only just starting to make itself known in the early 1940s; its most famous and influence practitioners were the animators at UPA in the post-war years, though it's worth noting that much of the UPA staff had come from Disney before the 1941 strike. An early half-experiment in limited animation was Chuck Jones's 1942 The Dover Boys, and if my eyes do not deceive me completely, I see an echo of that legendary short in the "History of Aviation" sequence in our present subject).

The film's imagery is undeniably beautiful: drawings that look to be watercolors or pencil sketches, highly realistic depictions of planes and other mechanisms of warfare created by Disney artists at the height of their skills, in a most unusual mood.

Freed from the needs of making objects that could be fluidly animated at 24 frames per second, the animators explored details of line and shading unlike anything they'd ever done, unlike the great majority of them would get a chance to do again (save for the training films being done at the same time; but these lack the gorgeous detail of Victory Through Air Power). It's difficult to express in words the effect of these paintings - any lesser word seems inapt - in motion. It is both alien and haunting, a vision of the implacable march of inhumane metal that stresses the object quality of the things being depicted. And further saps the film of anything remotely akin to "entertainment value", but this is more than made up for by the sheer graphic beauty of the piece.

The finest moments in the film - and they are not too rare, at that - achieve a sublime measure of visual poetry, blending the strict, even banal realism demanded by the script's argumentative needs, with hazy, imaginative compositions that recall, out of all the rest of Disney's output, the Impressionistic rendering of the woodland backgrounds in Bambi more than anything else. Taken out of context, there are moments in Victory Through Air Power whose abstract elegance is most enviable; in context, of course, this is a depiction of the hardness of war whose painterly edges are both ironic and - since this is certainly not an anti-war film - somehow exhilarating.



The quality of the imagery is not simply beautiful in and of itself; though this alone would be enough to make Victory Through Air Power a worthy project for the animation buff. At certain points, the painterly quality is worked invisibly into the film's argument.

I am chiefly thinking of a repeated image of Nazi Germany as the grotesque, smoke-belching industrial hub of a wheel of evil. Drenched in reds and blacks, it is a hellish image.

And all the more hellish because it is implicitly contrasted with another repeated image, of the Good Ol' US of A, similarly rendered as an industrial hub - but where Germany is a tiny, cramped swastika, colored to look as hideous and unappealing as possible, the United States is all but bursting with the can-do wonders of Democracy, Freedom, and Puppies, in soothing, bright blues and golds. The contrast between these images is, all by itself, the most compelling argument for American industrial might in the whole feature.

Victory Through Air Power is genius propaganda: a very adult vision of patriotism, contrasted with the wide-eyed eagerness that marked most of Walt Disney's treatments of Americana. It's so persuasive, in fact, that it manages to carry the modern viewer through almost to the end, when Seversky is chatting in his serious way about the benefits of firebombing, and the film throws a few images our way that are enough to wrench anybody out of the moment, knowing what the future would bring. The film ends with a visceral depiction of the destruction of Japan, which was no doubt meant to impress the original viewer with its gravity at the time: "There will be no end of destructive power, and we will then win this terrible war". The imagery is certainly impressive, and grave, and unfortunately reminiscent of all the awful things we have seen, that nobody in 1943 could have imagined, which is the nightmarish effect of an atomic bomb on a major city.

So much for propaganda and jingoism and the like: the last few minutes put me too much in mind of e.g. Grave of the Fireflies, and any question about visual beauty seems quite out of place. We can all certainly agree that it's best that the Allies won the war, I assume; but there's a terrifying degree to which Victory Through Air Power makes you forget that this victory came after the deaths of many, many civilians on both sides; something no propagandist would like to allow.

That's hindsight for you, though. At the time, the concluding scenes of the movie could only have suggested to the viewer the efficacy of the system Seversky wanted to put into place, and it does so tremendously well. A tremendous box office failure, it probably didn't move the populace to agitate for the creation of a dedicated Air Force (which did not happen until after the war), but it didn't need to. It only needed to impress a small number of decision makers; and it did. At the urging of Winston Churchill, Franklin Roosevelt himself sat down to watch the film, and it was sufficient to convince him of the need for a strong commitment to a strategic air campaign against Germany and Japan.

Movies don't get much more significant than that.

Original Page: http://antagonie.blogspot.com/2010/11/disney-sundries-film-that-won-war.html

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five ways to add value to information

Ross Dawson’s five ways to add value to information:

  1. Filtering (separating signal from noise, based on some criteria)
  2. Validation (ensuring that information is reliable, current or supported by research)
  3. Synthesis (describing patterns, trends or flows in large amounts of information)
  4. Presentation (making information understandable through visualization or logical presentation)
  5. Customization (describing information in context)

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Wednesday, February 9, 2011

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8 Ways Technology Is Improving Education

8 Ways Technology Is Improving Education

by Sarah Kessler, mashable.com
November 22nd 2010

The Education Tech Series is supported by Dell The Power To Do More, where you’ll find perspectives, trends and stories that inspire Dell to create technology solutions that work harder for its customers so they can do and achieve more.

Don Knezek, the CEO of the International Society for Technology in Education, compares education without technology to the medical profession without technology.

“If in 1970 you had knee surgery, you got a huge scar,” he says. “Now, if you have knee surgery you have two little dots.”

Technology is helping teachers to expand beyond linear, text-based learning and to engage students who learn best in other ways. Its role in schools has evolved from a contained “computer class” into a versatile learning tool that could change how we demonstrate concepts, assign projects and assess progress.

Despite these opportunities, adoption of technology by schools is still anything but ubiquitous. Knezek says that U.S. schools are still asking if they should incorporate more technology, while other countries are asking how. But in the following eight areas, technology has shown its potential for improving education.


1. Better Simulations and Models


While a tuning fork is a perfectly acceptable way to demonstrate how vibrations make sound, it’s harder to show students what evolution is, how molecules behave in different situations, or exactly why mixing two particular chemicals is dangerous.

Digital simulations and models can help teachers explain concepts that are too big or too small, or processes that happen too quickly or too slowly to demonstrate in a physical classroom.

The Concord Consortium, a non-profit organization that develops technologies for math, science and engineering education, has been a leader in developing free, open source software that teachers can use to model concepts. One of their most extensive projects is the Molecular Workbench, which provides science teachers with simulations on topics like gas laws, fluid mechanics and chemical bonding. Teachers who are trained in the system can create activities with text, models and interactive controls. One participant referred to the project as “[Microsoft] Word for molecules.”

Other simulations the organization is developing include a software that allows students to experiment with virtual greenhouses in order to understand evolution, a software that helps students understand the physics of energy efficiency by designing a model house, and simulations of how electrons interact with matter.


2. Global Learning


See Video:

At sites like Glovico.org, students can set up language lessons with a native speaker who lives in another country and attend the lessons via videoconferencing. Learning from a native speaker, learning through social interaction, and being exposed to another culture’s perspective are all incredible educational advantages that were once only available to those who could foot a travel bill. Now, setting up a language exchange is as easy as making a videoconferencing call.


3. Virtual Manipulatives


Let’s say you’re learning about the relationship between fractions, percents and decimals. Your teacher could have you draw graphs or do a series of problems that changes just one variable in the same equation. Or he could give you a “virtual manipulative” like the one above and let you experiment with equations to reach an understanding of the relationship. The National Library of Virtual Manipulatives, run by a team at Utah State University, has been building its database of these tools since 1999.

“You used to count blocks or beads,” says Lynne Schrum, who has written three books on the topic of schools and technology. “Manipulating those are a little bit more difficult. Now there are virtual manipulative sites where students can play with the idea of numbers and what numbers mean, and if I change values and I move things around, what happens.”


4. Probes and Sensors


See Video:

About 15 years ago, the founders of the Concord Consortium took the auto focus sensor from a Polaroid camera and hooked it up to a computer graph program, thereby creating the ability to graph motion in real time. Today there are classrooms all over the world that use ultrasonic motion detectors to demonstrate concepts.

“I’ve taught physics before, and you spend a lot of time getting these ideas of position, and what is velocity, and what does motion really mean and how do you define it,” says Chad Dorsey, the president and CEO of the Concord Consortium. “And you end up spending a lot of time doing these things and trying to translate them into graphs. You could spend a whole period creating a graph for an experiment that you did, and it loses a lot of meaning in that process. By hooking up this ultrasonic motion detector to a graph right away…it gives you a specific real-time feel for what it means to move at faster rates or slower rates or increasing in speed or decreasing in speed and a much more foundational understanding of the topic than you could ever get by just drawing the graph by hand.”

Collecting real-time data through probes and sensors has a wide range of educational applications. Students can compute dew point with a temperature sensor, test pH with a pH probe, observe the effect of pH on an MnO3 reduction with a light probe, or note the chemical changes in photosynthesis using pH and nitrate sensors.


5. More Efficient Assessment


Models and simulations, beyond being a powerful tool for teaching concepts, can also give teachers a much richer picture of how students understand them.

“You can ask students questions, and multiple choice questions do a good job of assessing how well students have picked up vocabulary,” Dorsey explains. “But the fact that you can describe the definition [of] a chromosome … doesn’t mean that you understand genetics any better … it might mean that you know how to learn a definition. But how do we understand how well you know a concept?”

In Geniverse, a program the Concord Consortium developed to help students understand genetics by “breeding” dragons, teachers can give students a problem that is much more like a performance assessment. The students are asked to create a specific dragon. Teachers can see what each student did to reach his or her end result and thereby understand whether trial-and-error or actual knowledge of genetics leads to a correct answer.

The organization is also developing a program that will help teachers collect real-time assessment data from their students. When the teacher gives out an assignment, she can watch how far along students are, how much time each a spends on each question, and whether their answers are correct. With this information, she can decide what concepts students are struggling with and can pull up examples of students’ work on a projector for discussion.

“What they would have done in the past is students would make a lab report, they’d turn it in, the teacher would take a couple of days to grade it, they’d get it back a couple of days later, and two to three days later they’d talk about it,” Dorsey says. “But they’ve probably done a couple of lessons in between then, [and] they haven’t had time to guide the students immediately as they learned it.”


6. Storytelling and Multimedia


See Video:

Knezek recently saw a video that was produced by a group of elementary students about Bernoulli’s Principle. In the video, the students demonstrated the principle that makes flight possible by taking two candles and putting them close together, showing that blowing between them brings the flames closer together. For another example, they hung ping pong balls from the ceiling and they pulled together.

“With a simple assignment and access to technology, researching and also producing a product that would communicate, they were able to do deep learning on a concept that wasn’t even addressed in their textbook, and allow other people to view it and learn from it,” Knezek says.

Asking children to learn through multimedia projects is not only an excellent form of project-based learning that teaches teamwork, but it’s also a good way to motivate students who are excited to create something that their peers will see. In addition, it makes sense to incorporate a component of technology that has become so integral to the world outside of the classroom.

“It’s no longer the verbal logic or the spoken or written word that causes people to make decisions,” Knezek says. “Where you go on vacations, who you vote for, what kind of car you buy, all of those things are done now with multimedia that engage all of the senses and cause responses.”


7. E-books


Despite students’ apparent preference for paper textbooks, proponents like Daytona College and California Gov. Arnold Schwarzenegger are ready to switch to digital. And electronic textbook vendors like CourseSmart are launching to help them.

E-books hold an unimaginable potential for innovating education, though as some schools have already discovered, not all of that potential has been realized yet.

“A digital textbook that is merely a PDF on a tablet that students can carry around might be missing out on huge possibilities like models and simulations or visualizations,” Dorsey says. “It takes time and it really takes some real thought to develop those things, and so it would be easy for us as a society to miss out on those kinds of opportunities by saying, ‘Hey look, we’re not carrying around five textbooks anymore. It’s all on your iPad, isn’t that great?’”


8. Epistemic Games


See Video:

Epistemic games put students in roles like city planner, journalist, or engineer and ask them to solve real-world problems. The Epistemic Games Group has provided several examples of how immersing students in the adult world through commercial game-like simulations can help students learn important concepts.

In one game, students are cast as high-powered negotiators who need to decide the fate of a real medical controversy. In another, they must become graphical artists in order to create an exhibit of mathematical art in the style of M.C. Escher. Urban Science, the game featured in the above video, assigns students the task of redesigning Madison, Wisconsin.

“Creative professionals learn innovative thinking through training that is very different from traditional academic classrooms because innovative thinking means more than just knowing the right answers on a test,” explains The Epistemic Games Group’s website. “It also means having real-world skills, high standards and professional values, and a particular way of thinking about problems and justifying solutions. Epistemic games are about learning these fundamental ways of thinking for the digital age.”

These eight technologies are redefining education. Which technologies would you add to the list? Let us know in the comments below.


Series Supported by Dell The Power To Do More

The Education Tech Series is supported by Dell The Power To Do More, where you’ll find perspectives, trends and stories that inspire Dell to create technology solutions that work harder for its customers so they can do and achieve more.


More Education Resources from Mashable:


- The Case For Social Media in Schools
- How Social Gaming is Improving Education
- Why Online Education Needs to Get Social
- Social Media Parenting: Raising the Digital Generation
- HOW TO: Help Your Child Set Up a Blog

Image courtesy of iStockphoto, BanksPhotos

Original Page: http://mashable.com/2010/11/22/technology-in-education/

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The Case For Social Media in Schools

The Case For Social Media in Schools

by Sarah Kessler, mashable.com
September 29th 2010

A year after seventh grade teacher Elizabeth Delmatoff started a pilot social media program in her Portland, Oregon classroom, 20% of students school-wide were completing extra assignments for no credit, grades had gone up more than 50%, and chronic absenteeism was reduced by more than a third. For the first time in its history, the school met its adequate yearly progress goal for absenteeism.

At a time when many teachers are made wary by reports of predators and bullies online, social media in the classroom is not the most popular proposition. Teachers like Delmatoff, however, are embracing it rather than banning it. They argue that the educational benefits of social media far outweigh the risks, and they worry that schools are missing out on an opportunity to incorporate learning tools the students already know how to use.

What started as a Facebook-like forum where Delmatoff posted assignments has grown into a social media component for almost every subject. Here are the reasons why she and other proponents of educational social media think more schools should do the same.


1. Social Media is Not Going Away


In the early 1990s, the InternetInternet was the topic of a similar debate in schools. Karl Meinhardt was working as a school computer services manager at the time.

“There was this thing called the Internet starting to show up that was getting a lot of hype, and the school administration was adamantly against allowing access,” he says. “The big fear was pornography and predators, some of the same stuff that’s there today. And yet…can you imagine a school not connected to the Internet now? “

Meinhardt helped develop the Portland social media pilot program after Delmatoff saw his weekly technology segment on the local news and called to ask for his advice. In his opinion, social media, like the Internet, will be a part of our world for a long time. It’s better to teach it than to fight it.

Almost three-fourths of 7th through 12th graders have at least one social media profile, according to a recent survey by the Kaiser Family Foundation. The survey group used social sites more than they played games or watched videos online.

When schools have tried to ban social media, now an integral part of a young person’s life, they’ve had negative results. Schools in Britain that tried to “lock down” their Internet access, for instance, found that “as well as taking up time and detracting from learning, it did not encourage the pupils to take responsibility for their actions.”

“Don’t fight a losing battle,” says Delmatoff. “We’re going to get there anyway, so it’s better to be on the cutting edge, and be moving with the kids, rather than moving against them…Should they be texting their friends during a lecture? Of course not. They shouldn’t be playing cards in a lecture, they shouldn’t be taking a nap during a lecture. But should they learn how to use media for good? Absolutely.”


2. When Kids Are Engaged, They Learn Better


Matt Hardy, a 3rd and 4th grade teacher in Minnesota, describes the “giddy” response he gets from students when he introduces blogs. He started using blogs in his classroom in 2007 as a way to motivate students to write.

“Students aren’t just writing on a piece of paper that gets handed to the teacher and maybe a smiley face or some comments get put on it,” he says. “Blogging was a way to get students into that mode where, ‘Hey, I’m writing this not just for an assignment, not just for a teacher, but my friend will see it and maybe even other people [will] stumble across it.’ So there’s power in that.”

Delmatoff says that at first her students were worried they would get in trouble for playing because they actually enjoyed doing activities like writing a blog.

“But writing a blog, that’s not playing, that’s hard work,” she says. “Karl and I started thinking we were really on to something if kids were thinking that their hard academic work was too much fun.”

Her students started getting into school early to use the computer for the social media program, and the overall quality of their work increased. Although Delmatoff is adamant that there’s no way to pin her class’s increased academic success specifically to the pilot program, it’s hard to say that it didn’t play a part in the more than 50% grade increase.


3. Safe Social Media Tools Are Available — And They’re Free


When Hardy started using blogs to teach, he developed his own platform to avoid some of the dangers associated with social media use and children. His platform allowed him to monitor and approve everything the children were posting online, and it didn’t expose his students to advertising that might be inappropriate. He later developed a similar web-based tool that all teachers could use called kidblog.org. The concept caught on so quickly that his server crashed in September when the school year started.

Many mainstream social media sites like FacebookFacebook and MySpaceMySpace are blocked in schools that receive federal funding because of the Children’s Internet Protection Act, which states that these schools can’t expose their students to potential harm on the Internet.

Kidblog.org is one of many free tools that allow teachers to control an online environment while still benefiting from social media. Delmatoff managed her social media class without a budget by using free tools like Edmodo and Edublogs.


4. Replace Online Procrastination with Social Education


Between 2004 and 2009, the amount of time that kids between the ages of 2 and 11 spent online increased by 63%, according to a Nielson study. And there’s no reason, Meinhardt argues, that schools shouldn’t compete with other social media sites for part of this time.

He helped Delmatoff create a forum where she would post an extra assignment students could complete after school every day. One day she had students comment on one of President Obama’s speeches; another day she had them make two-minute videos of something on their walk home that was a bad example of sustainability. These assignments had no credit attached to them. “It didn’t get you an A, it didn’t get you a cookie. It didn’t get you anything except something to do and something to talk about with other students.”

About 100 students participated. Through polls taken before and after the program, Meinhardt determined that students spent between four to five fewer hours per week on Facebook and MySpace when the extra assignments had been implemented.

“They were just as happy to do work rather than talk trash,” Delmatoff says. “All they wanted was to be with their friends.”


5. Social Media Encourages Collaboration Instead of Cliques


Traditional education tactics often involve teacher-given lectures, students with their eyes on their own papers, and not talking to your neighbor.

“When you get in the business world,” Meinhardt says, “All of [a] sudden it’s like, ‘OK, work with this group of people.’ It’s collaborative immediately. And we come unprepared to collaborate on projects.”

Social media as a teaching tool has a natural collaborative element. Students critique and comment on each other’s assignments, work in teams to create content, and can easily access each other and the teacher with questions or to start a discussion.

Taking some discussions online would also seem to be an opportunity for kids who are shy or who don’t usually interact with each other to learn more about each other. A study by the Lab for Social Computing at the Rochester Institute of Technology, however, found that this wasn’t the case. The study found that using educational social media tools in one of the Institute’s courses had no measurable impact on social connections.

Delmatoff argues that with her students, however, new connections were made. “If you’re shy or you’re not popular or any of those hideous things that we worry about in middle school — if you know the answers or have good insights or ask good questions, you’re going to be really valuable online.” she says. “So I started to see some changes that way.”


6. Cell Phones Aren’t the Enemy


69% of American high schools have banned cell phones, according to figures compiled by CommonSense Media, a nonprofit group that studies children’s use of technology. Instead, Delmatoff’s school collected student’s cell phone numbers.

Delmatoff would send text messages to wake chronically absent kids up before school or send messages like, “I see you at the mini-mart” when they were running late (there’s a mini-mart visible from the school). She called the program “Texts on Time,” and it improved chronic absenteeism by about 35% without costing the school a dime.

“The cell phone is a parent-sponsored, parent-funded communication channel, and schools need to wrap their mind around it to reach and engage the kids,” Meinhardt says.


Conclusion


Nobody would dispute that the risks of children using social media are real and not to be taken lightly. But there are also dangers offline. The teachers and parents who embrace social media say the best way to keep kids safe, online or offline, is to teach them. We’re eager to hear what you think. Tell us in the comments below.


More Education Resources from Mashable:


- Why Online Education Needs to Get Social
- 15 Essential Back to School Podcasts
- How Social Gaming is Improving Education
- 3 Ways Educators Are Embracing Social Technology
- 5 Innovative Tech Camps for Kids and Teens

Images courtesy of iStockphotoiStockphoto, dem10, Alsos

Original Page: http://mashable.com/2010/09/29/social-media-in-school/

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